A juror on a murder trial begins to believe that the man charged with the crime is innocent — and that the real killer is her own husband.

A spy thriller set in 1943 when the Polish Resistance was killing SS- officers and collaborators in Lublin and Zamosc. Polish hitman romances with "officer's lady" while he is setting up her boyfriend for his sentence of death. In the end, he loses out to a collaborator living next door.

In one of the American States committed a major Bank robbery, which killed two guards. Jim Conley, a Bank employee, is charged with the murder. With irrefutable evidence, attorney General Ted Talbot is seeking a death sentence for Conley. A day later, one of the witnesses confesses to the murder, a little later they find his corpse. Bolbat's career comes to an end. His friend and assistant, Leo Harman, knowing that Talbot cleverly framed, begins a full investigation into unthinkable intrigue.

22 years ago, Savva got in touch with criminals and was charged with murder. After being released, he decides to give up his criminal past and start a quiet life with his beloved. But someone is clearly against this development of events: Savva is being dragged into a showdown, blackmailed and deprived of hope for a bright future. Blinded by revenge, he decides to investigate his own past and find those who ruined his life. What Savva doesn't know is that the truth will turn out to be much more complicated than he expected.

Sun-woo is fired from his advertising job in Japan after it is revealed that his parents were Korean. His girlfriend, Hideko, also leaves him, more for his sudden lack of money than out of racism. Sun-woo decides to attempt a bank robbery in order to win her back

Suchart, a man whose wife and child were murdered in their apartment. Suchart, the suspected perpetrator of the crimes, is determined to prove his innocence and find the culprit of the crime.

Amina Handke adapts the 1967 theatre play Kaspar written by her father Peter Handke. Instead of a young man being tortured by language, we meet an old woman played by the director’s mother, Libgart Schwarz, who loses her linguistic abilities while rehearsing for the very same play. What begins as a pure and playful family meta-fiction turns into a surreal, partly nonsensical Babylonian confusion, it’s just that it’s not different languages that are clashing but layers and fragments of the German language, the language of the father. The film avoids the traps of representational cinema. It’s all noises and muttering, injunctions and an almost Dadaist pleasure in repeating sentences until they completely lose their meaning.

Kirill, who stood up for Nastya's honor, is forced to join the army. He severely beat the offender, and military service is the only way for him to avoid prison.

A beat-up camper approaches a snow-covered mountain military check point. A pale sun is rising as a prelude to a chilly morning. The passengers are two old people who are trying to avoid the national draft of their grandson. They hide the kid in a coffin, pretending he's dead. But the commander discovers the young deserter.

A bounty hunter named Minnesota is only interested in big bounties. El Santo is wanted, but has a much smaller price on his head. He’s on a mission to find the killer of his father. The two men have this in common: They’re both looking for an bandit leader named Corbancho.